Rhythmania and Other Electronic Musical Compositions
OUVIR / LISTEN:
Rhythmania, Synthi Waltz, Triptyque: First Fugue, Triptyque: Third Fugue, Hear the Clock Tick
"Released in 1976, Rhythmania and Other Electronic Musical Compositions spotlights the sounds of a specially assembled Moog Synthesizer (a type of analog synthesizer). The variety is impressive: from birdcalls and the sounds of machines in a factory to waltzes. Pieces such as “Cosmic Dance of Shiva” and “Hear the Clock Tick” are “composed of natural sounds recorded through a microphone,” rather than generated electronically like the “Triptych” fugues. This album also highlights electronic instruments as soloists in a genre of music that J.D. Robb says is “capable of expressing a very wide range of ideas and...emotions." (Label PR)
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Rhythmania and Other Electronic Musical Compositions
Rhythmania and Other Electronic Musical Compositions
OUVIR / LISTEN:
Rhythmania, Synthi Waltz, Triptyque: First Fugue, Triptyque: Third Fugue, Hear the Clock Tick
"Released in 1976, Rhythmania and Other Electronic Musical Compositions spotlights the sounds of a specially assembled Moog Synthesizer (a type of analog synthesizer). The variety is impressive: from birdcalls and the sounds of machines in a factory to waltzes. Pieces such as “Cosmic Dance of Shiva” and “Hear the Clock Tick” are “composed of natural sounds recorded through a microphone,” rather than generated electronically like the “Triptych” fugues. This album also highlights electronic instruments as soloists in a genre of music that J.D. Robb says is “capable of expressing a very wide range of ideas and...emotions." (Label PR)
Original: $17.40
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OUVIR / LISTEN:
Rhythmania, Synthi Waltz, Triptyque: First Fugue, Triptyque: Third Fugue, Hear the Clock Tick
"Released in 1976, Rhythmania and Other Electronic Musical Compositions spotlights the sounds of a specially assembled Moog Synthesizer (a type of analog synthesizer). The variety is impressive: from birdcalls and the sounds of machines in a factory to waltzes. Pieces such as “Cosmic Dance of Shiva” and “Hear the Clock Tick” are “composed of natural sounds recorded through a microphone,” rather than generated electronically like the “Triptych” fugues. This album also highlights electronic instruments as soloists in a genre of music that J.D. Robb says is “capable of expressing a very wide range of ideas and...emotions." (Label PR)











